Fearful of a free love – a poem by Cristina Dominguez

Alone with myself
alone with thoughts of you,
dreams that we might pursue
the metaphor that is something more

Do you have plans in store for me?
Something locked away?
Will I, can I, find the key?
Or are you just as lost in this feeling
as I am, and finding me
only out of your desperate need
to not be the lone and forlorn refugee

Spontaneity craving
the all too unsurprising predictability
that I do not have the ability to willingly
conjure up, for your fearful gut that undermines
your revolutionary desires
the very thing that inspires
this all new, unconventional concoction
of love in me

Stagnant in your opposition to compromise
but positioned to compose around
something safe and sound
that I can’t be

Why can’t we both remain wild and free?
Liberty meets love, and lives in it liberally
instead of denying and dying
the part that defies a love that’s limiting.
Packed away are my overt attempts to
create and break free that love within me.
But will that love be too different
too strange to move your eyes to see
The love I know you have for me?

It isn’t easy
It isn’t what you need to satisfy and pacify your fears
Ready to challenge me but you stay
securely still in your stubborn habit
of thirsting for security

I won’t be part of the assembly line of lovers
replacing the past
enslaving myself to your repetitive defense mechanisms
that mass produced flat and failed relationships

The dimensions we’ve mentioned
philosophically talking with the top down in your cool convertible
free and versatile
in thought, in mind, in spirit.
But though you can hear it
you can’t take to heart
the part that would free
your heart

You aren’t fearful of who would leave you
but frightened by what it would mean if someone would stay~
Would sway in the wind and the water that is you,
flowing in a stream to a stream of consciousness
as wide eyed and open as the ocean
Not hindered by the currents currently claiming
calming and inhibiting
the independent spirit
in an uninhabitable love

That body of water
that body of love
a mirror reflecting–
how you won’t
how you refuse
to look
to see
the you, you love sufficiently
for you have efficiently
not let it be tied down
but do not love enough to embrace fully..
to let it be lifted up
to give up,
not surrendering
but rendering
it free.

Let your expectations
like their limitations
be obsolete.
You’re wading in a pool of your own possibility
I’m waiting for you to dive into
the depths of our opportunity.
There will be no death of you or me,
we can coexist in this discovery
you can feel it
now believe it
you can be free
in loving me

EVERY Color of the Rainbow: A New York City Pride Story

by Morgan Boecher

Last weekend was my first time attending a Pride event of a New-York-City scale. My only other experience was when I was a teenager during the sleepy summer months in Gainesville, Florida. The festival that happened in our downtown plaza was an inspiring effort, with all the Roy G. Biv decorations and dildo raffles, but it never overwhelmed like NYC Pride does.

What overwhelmed me the most, more than the campy getups and the countless people streaming through 5th Avenue, was the comfort of finding queer folks around every corner. It made me feel a little more at home, at least. As a transsexual man with an undeniably feminine physique, I have trouble fitting within the everyday cissexual (non-trans) world. When I go butch, I look lesbian, which gets it all wrong.

However, NYC Pride weekend, subsuming all in delightful queerness, made my gender identity matter a little less. At least when I was walking around the streets being one in the crowd. At other times it mattered more.

Preceding the Sunday parade was the Dyke March, a politically charged protest demanding equal rights, the end of LBTQ violence, and visibility. Considering how cis-male-centric mainstream images of LGBTQ culture are, the Dyke March is a wonderful way for queer women to claim their space. Being someone who does not in any way identify as a dyke, I respectfully stood aside. Giving oppressed groups a chance to their own space is powerful and important. I did get to chat with a friend of mine who participated in the march, though.

Our talk of gendered space led us to ruminate over the displacement of trans people. Cissexual people are often confused about where trans men and women ought and ought not be. The Michigan Womyn’s Music Festival is a good example, with their reluctance to allow trans womyn access to the “womyn-born-womyn” space. Anyway, while discussing the gendered barriers of the Dyke March, my friend told me that she met someone there who expressed skepticism about trans men.

“I just don’t understand trans men because I enjoy being a woman so much,” she said.

*Sigh.* Just the same sentiment I met when I came out to some proudly womyn-born-womyn friends of mine. Despite the beautiful mélange of gender and sexual diversity crowding the streets of NYC, trans experiences are still going misunderstood. It’s not that trans men devalue womanhood; it’s just that they don’t identify with it.

The Dyke March is an empowering step toward recognizing a greater range of human experience, but some trans visibility could stretch that recognition even further.

phati’tude Literary Magazine Celebrates Relaunch at the Bowery > Poetry Club, NYC

The Bowery Poetry Club
Friday, July 9, 2010 @ 7:30PM

featuring
Tara Betts, Timothy Liu, Angelo Nikolopoulos, Jeffrey Perkins
Devi Lockwood, Jon Sands & Jesús Papoleto Meléndez
with special guest David Henderson

We are pleased to announce the publication of phati’tude
Literary Magazine’s relaunch issue, MULTICULTURALISM: IN SEARCH
OF A NEW PERSPECTIVE
and our Summer issue, THE LAVENDER ISSUE:
LGBT LITERATURE TODAY
. Both publications will be available for
sale on our website on July 15, 2010 on Amazon.com. Each issue
features writers from the U.S., Canada, England, Scotland,
Australia, New Zealand, Guam, the Philippines, Japan.

Come join us! It’ll be great to see old friends and meet new
ones!

For more information visit us at http://phatitude.org

Friendly Fire – a poem by Cristina Dominguez

Those nearest
and dearest
don’t hear
or see us
at times
because they can
remain blinded
by their own lives.

My home is your home;
what’s mine is yours
what’s yours is mine:
Yours is mine
watch me turn a blind eye
watch me lie
“We are equal”

They see us as
exaggerating radicals
making battles
where peace prevails
shattering their perspective
by making concrete
their advantage point,
the connection between
their heteronormativity
and our lived inequity

Can I ask you a question?
I don’t understand
Who’s the man?
How can I brand you?
so I can see
so we can be
“We are the same”

Delegitimizing
minimizing
the detainment of our
deviation,
how live and let live
isn’t live and let thrive
we’ll survive

So sex
…yes that’s next
how do you?
There isn’t a
penis present
so here it is
narrowing
and entering
into you
“We are the same”

This phallocentric tendency
isn’t just diminishing me
but their own
female,
free-of-male
sexuality.
Only his
Erect flesh
Makes the act correct?
I guess…

Why are you offended?
This can be men-did.
We can work this out
into a peace
and ease that will
please this
place of power
I can judge you from

Look I’m so evolved
and so involved
and invested,
and molesting your
intimate life.
I’m open-minded
I, don’t
mind
my minor mistakes,
give me a break
“We are the same”

Interrogating and
negating
isn’t creating,
isn’t nurturing
my future.
Stereotypes
grow ripe
in the light
of your assumptions.
Seeds from the quick,
cheap, consumption
of my life.
But in that
surviving act,
perhaps
we are the same

Designing Women: The Intersection of Art, Culture, and Car Design

Who knew? During the 50s, an era in auto design known for super-sized macho male autos with rocket-like tailfins and increasing engine power, when guys tended to call their cars “she,” General Motors surprisingly hired a team of women auto designers who were trailblazing pioneers and had a critical role in the company’s Renaissance of Design. And today, a group of women are among the designers spearheading the generation of new cars that might make or break the company.

The Museum of the City of New York, in conjunction with its current exhibition, “Cars, Culture and the City,” presents Designing Women:  The Intersection of Art, Culture and Car Design, a very special public program that examines this largely untold story of GM’s past and present designing women (June 28, 6:30pm). Four of GM’s top women designers will lead the program, discussing both the pioneering days of the early women designers at GM to their current roles designing such cars as next generation Cadillacs. They will be able to take questions and be available for conversation following the program.

For a fascinating preview of the Designing Women program,
please enjoy this short video:
http://www.youtube.com/user/MuseumofCityofNY

To make reservations, please visit:
http://www.mcny.org/public-programs/all/Designing-Women.html

For more information or to RSVP by phone, please call:
917-492-3395

The first 200 people to RSVP will receive at the end of the
program a free autographed sketch of new Cadillac designs drawn
by the designing women.

Amy Nizwantowski
Phil&Co
On behalf of the Museum of the City of New York

Cocktail Hour to support Feminist documentary “How to Lose Your Virginity”

Hosted by Josette Persson, Lisa Esselstein & Therese Shechter

Facebook invite

Hello Friends! It’s been too long… our last boozy gathering was back in April, before the days of flip flops and thunder storms. So we’ve planned another “Cocktail Hour” event. But who are we fooling? We’ll be there for more than 60 minutes. And we hope you will join us!

Like last time, we’re drinking with a purpose. Lisa and Therese are nearing the end of a Kickstarter campaign for Therese’s documentary film, HOW TO LOSE YOUR VIRGINITY, to kickstart the editing phase of the project. We’ve already raised 80% of our goal, with most of the pledges coming from people we’ve only met through the campaign. Once our friends, neighbors, colleagues and drinking buddies get involved (hey, that’s you!), we’ll sprint to the goal. But we have to raise 100% of our goal by July 1st or we get nothing — that’s how Kickstarter works.

Please go to our Kickstarter page and pledge what you can. And join us at Jake’s to drink as much as you can because the bar will be donating proceeds as well.

http://kck.st/9Hm93b

We hope to see you there!

Happy Hour to Benefit Trust Women PAC

Come meet your favorite feminists and drink to benefit Trust Women PAC!

Tues, June 29th
6-9 PM
4th Ave Pub
76 4th Ave. bet Bergen St. & St. Marks Pl., Brooklyn, NY

Sliding fee scale starting at $15. Donations benefit Trust Women PAC, an organization that works to protect the rights of abortion providers and fights anti-choice legislation.

Buy your ticket here: http://www.actblue.com/page/trustwomenhappyhour

Meet Julie Burkhart, Executive Director of Trust Women PAC. She worked side by side with Dr. George Tiller for 8 years and was the Chief Executive Officer of ProKanDo, a pro-woman, pro-choice political organization founded by Dr. Tiller.

Special guests: Jessica Coen, Anna North, Jenna Sauers, Sadie Stein, and Dodai Stewart, Jezebel.com / Shelby Knox, ShelbyKnox.com / Chloe Angyal, Feministing.com / Nona Willis Aronowitz, author of Girl Drive: Criss-Crossing America, Redefining Feminism / Amanda ReCupido, UnDomesticGoddess.com / Julie Klausner, author of “I Don’t Care About Your Band” / Doree Shafrir, contributing editor, New York magazine / Lynn Harris, author of “Death By Chick Lit.”

And MORE!
Subways: B/Q/2/3/4/5 (Atlantic Ave Station), D/M/R/N (Pacific St Station).

Questions? Comments? Contact hosts Steph (of IAmDrTiller.com and the AbortionGang.org) at sbherold@gmail.com or Irin (of Jezebel.com) at irincarmon@gmail.com.

To learn more about Trust Women PAC, visit http://www.trustwomenpac.org/

Women’s eNews 10th Birthday!

RSVP & More info
Date:
Sunday, June 27, 2010

Location:
Women’s eNews Headquarters
6 Barclay Street, 6th Floor, NY, NY 10007

Schedule

12 PM WELCOME POTLUCK BRUNCH (Please bring your favorite dish!)

1 PM  MAKING HYDE HISTORY

Presentation on the law barring federal money for abortion by Feminist Activist & Organizer Shelby Knox* and Aimee Thorne-Thomsen, Executive Director of the Pro-Choice Public Education Project (PEP) Open discussion and Q&A to follow

2:30 PM PRAY THE DEVIL BACK TO HELL FILM SCREENING

Introduction by Producer Abigail E. Disney*, featuring an overview of her upcoming PBS mini-series: Women, War & Peace, a five-part series on women’s role in war and peacebuilding

4:30 PM  OPENING THE WAY: A WOMEN’S HISTORY WALK

Lower Manhattan Tour led by Women’s eNews Editor in Chief Rita Henley Jensen

6:00 PM DINNER AT CHURCH & DEY RESTAURANT

Millenium Hilton – 55 Church Street, NY, NY 10007
($100 minimum contribution required for dinner reservation)

* Women’s eNews 21 Leaders for the 21st Century: Abigail E. Disney, 2004; Shelby Knox, 2007

For additional information or to RSVP, please email perrie@womensenews.org

Guest Post by Shelby Knox: My Day as an Anti-Feminist (Role) Model

By Shelby Knox

A couple of weeks ago I wrote this post soliciting advice and conversation about the request that I “dress like a feminist” for a photo spread to be featured in a mainstream women’s magazine as a representative of the next generation of feminism, or as they keep putting it, “the next Gloria Steinem.”

The shoot was last week and I took my readers’ fantastic advice – thanks for that, by the way! – and packed in my hanging bag several outfits in which I feel comfortable, happy, and most of all, me.

Yet the clothes I’d worked so hard to pick out were destined never to make it out of the bag.  Instead, the fantastic stylist had gone through the mag’s generously stocked designer closet and picked out clothes for us that will be at the peak of style when the issue comes out in the fall. This, at first, was fine by me – this thrift store girl will transform into a fashion diva on your dime any day!

Let me stop here and explain something that’s not shocking at all considering I was socialized female in American society: I’ve struggled with my weight and body image issues for as long as I can remember. I went to Weight Watchers for the first time when I was 11 and tried out every fad diet I could find in my mother’s magazines. I spent many years sobbing in dressing rooms, at swimming pools and school dances and talent shows, because I could never fit into the blonde, rail-thin ideal of a pretty Texas girl.

After I got to New York and into feminist activism, I gained a perspective on beauty that eased my body hatred a bit. I realized that what’s ugly in one culture is desirable in another and vice versa and that this constant pressure – applied to women by the media, our friends, our family, random strangers on the street and online – to be unnaturally thin is another form of sexism that at best hobbles women by making us spend unnatural amounts of time concerned with our appearance and at worst, kills.

So, when I walked into that photo shoot last Wednesday, I thought I’d made a fragile peace with my size 12 body. I’d decided that I liked the young women I speak to on campuses seeing a real-looking woman speaking her truth and making waves in the world. I know in my feminist heart of hearts that my words and actions matter far more than the packaging they come in– and, by Goddess, a little extra packaging can be just as hot!

That peace started to crumble fast when all the other women profiled – an amazing cast, including a playwright, a politician, an FBI agent and a fashion designer, among others, who for some reason all happened to be thin and drop dead conventionally gorgeous  – were given 7 or 8 fantastic outfits to try on. Since designers don’t usually provide size 12 samples, I got a wrap dress that made me look like a sail, a silk dress that made me look like a sail boat, and an embroidered leather jacket that, had it fit, would have been a huge break in solidarity with my allies in the animals rights movement. I pushed back tears, told that evil voice in my head saying, “disgusting cow” over and over again to shut up, and willed myself to smile and walk out of the dressing room in the “sail boat” option.

A pair of fierce, black, six inch platform boots and really awesome snake bracelets made me feel slightly better, but not for long. When we lined up for a once-over from the staff, I was transported back to Lubbock, TX and into a picture of me and a group of friends dressed in the same white dress, except mine was three sizes larger. I was then, and I realized standing in the line-up, always will be, the “smart one” or the “talented one” but never, ever the “pretty one.”

I know how it works at group photo shoots: the director pulls different people in and out of the shot to see whose outfits and look work together. Yet as I got pulled in and out of every single shot, I couldn’t help but be sure it was because of how horrible I looked. I cried in the bathroom three different times – the make-up artist loved that – and in a moment of being truly flustered, fell to the asphalt in my impossibly high heels and ripped up my legs, as you can see in the photo below.

My bruised, scraped up legs and the perpetrators, fantastically fierce black spiked heel boots.

I was eventually photographed in the last shot of the day and that part was surprisingly fine – years of posing for headshots, newspapers, and Facebook photos kicked in and I needed the least direction of anyone in my group. As I took off the dress and heels and prepared to leave in my own long, flowing skirt, I couldn’t decide if I was more pissed that I’d been made into some editor’s idea of “High Fashion Feminist Barbie” or that I’d failed so miserably in executing the role at every possible turn. The next Gloria Steinem, huh? Yeah – without the beauty or the grace!

So I signed on to spend my life fighting against the beauty myth in all its insidious forms and what did I do? Fall hopelessly prey to it, and on my face too.

Even though that evil voice in my head – which is, not coincidentally, male and hisses like Hanibal Lecter – is telling me this makes me a bad feminist, it simply means that I, like most women and some men, can still succumb to society’s false paradigm that beauty and worth are correlated. It reminded me how invaluable feminism’s campaign for real beauty standards is because I never want another woman to feel the way I did during that shoot.

It was also a reminder that, even if people are calling me a role model, or perhaps especially so, I’m still very much in the process of birthing myself into the woman I want to be and stripping away the layers of myself that have been torn and scarred by sexism and oppression and personal pain. It’s an excruciating process at times, but a necessary one.

In this case, I’m vowing to do some reading on feminism and body image – suggestions in the comments appreciated! – and feed and exercise my body in a manner so that it’s healthier, if not smaller. I’m going to consciously banish that creepy, self-hating voice from my head and ask myself each time I want to succumb to it’s lull if I would say to a fellow woman such awful things.

After all, it wouldn’t do the movement any good if I or anyone else waits to do radical social justice work until we’re “feminist enough,” unblemished, for public consumption. I don’t believe my sisters will be put off by my scars and scrapes but instead will see them and be more able to see, accept, and heal their own.

Or, at the very least, they’ll see my legs and skip the six-inch heels.

_______________________________________________________________________________________________

This post was originally published at The Ms. Education Of Shelby Knox, and was republished with permission. Shelby Knox can be contacted at shelbyknoxblog@gmail.com.

Meet Shelby on July 14th at 7pm in NYC! We are honored to host Shelby Knox, nationally known feminist organizer & subject of the Sundance award-winning film, “The Education of Shelby Knox” as the moderator for Paradigm Shift’s next event, “GUYLAND: THE PERILOUS WORLD WHERE BOYS BECOME MEN” a lecture and discussion featuring Dr. Michael Kimmel, PhD, Author & World-renown Sociologist.  More info and !

There is still time to make your voice heard in support of the Reproductive Health Act!

1. Look up your New York State Senator here: http://www.nysenate.gov/senators
2. Look to see if they have Facebook and/or a Twitter page and “like” or “follow” them
3. Once you have either liked them on Facebook or followed them on Twitter – write a wall post on their page or tweet at them with a message that says you are a constituent and that you want to see Reproductive Health Act passed in 2010.
4. If your State Senator does not have a Facebook or Twitter page, you can “like” and write a wall post on the full NYS Senate Facebook page here: http://www.facebook.com/#!/NYsenate

If you do not have a Facebook or Twitter account, you can still take action over the phone or e-mail:

Look up your State Senator and their contact info here: http://www.nysenate.gov/senators and leave a quick message or e-mail that says you are a constituent and that you support reproductive choice and want the Reproductive Health Act (s.5808) passed in 2010!

Sign the Reproductive Health Act petition on-line!:
http://www.prochoiceny.org/getinvolved/rhapetition.shtml

This message is brought to you by NARAL Pro-Choice New York

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