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EXCLUSIVE INTERVIEW: Oscar Winning Filmmaker & Writer Pamela Tanner Boll

ACCLAIMED FILMMAKER & WRITER PAMELA TANNER BOLL, WHO CO-PRODUCED THE OSCAR-AWARD WINNING BORN INTO BROTHELS, SPEAKS WITH Paradigm Shift’s COMMUNITY OUTREACH COORDINATOR, JULIA K. WEIS, ABOUT WHY HER STRUGGLE BALANCING A CREATIVE IDENTITY WITH MATERNAL RESPONSIBILTY PROMPTED HER TO DIRECT HER FIRST DOCUMENTARY, WHO DOES SHE THINK SHE IS?

CHECK OUT THE TRAILER ON PShiftTV HERE!

Q: For what reason did you create Who Does She Think She Is? What was your inspiration?

A: I have been a writer and painter for most of my adult life, but the fact is, I stopped writing and painting during college up until I was 32 years old. That was when I had my first child. For those years I didn’t do anything creative because I couldn’t imagine supporting myself as an artist and continuing to create new ideas. So, instead, I decided to work in NYC for a commodity trading company, then for a literary agency, and then for another company. After that, I got married.

I always wanted children, so I had a child and it completely changed my life. It absolutely turned everything upside down in a way that was remarkable to me. I was amazingly in love with this little boy that I had and yet as the same time scared I would do something wrong. I was scared of the responsibility of keeping him alive and I was very cognizant that it was me who was keeping him alive. I had never felt that kind of responsibility and utter love before.

I started writing again because I didn’t know how to make sense of all these feelings. At the time, though I didn’t realize it then, I was also experiencing a bit of post-partum depression and that was terrifying too. And so, I started writing a lot about being a mother and being pulled between the baby’s needs and my own. I quickly had two more sons.

When my oldest was about a year old, I felt I had to express this part of my life again. Long story short, I started doing these things and put aside my fear that I wasn’t very good at them. I started getting some recognition for my work. I taught at Harvard for a couple years, based on the strength of my essays and short stories. Still despite all of that I was feeling caught between the needs of my family and work. No matter where I was it felt like I was in the wrong place.

My boys became teenagers and all of a sudden I wasn’t at the center of their lives. I thought, Gee – what about my own life? I always imagined I would be a writer with five books published. I was terrified of growing older and having nothing to show for it other than these three beautiful boys.

And so, I heard of Maye Torres from Taos, New Mexico. She’s a “thirteenth generation Taosena” who works on a lot of public sculptures. It’s still primarily a male field, but that is her main job – to be an artist. I couldn’t believe that this woman was making her living as an artist despite all of the hardships that she was experiencing. She was a single mother, divorced and I thought, how in the hell does she do that? I felt like I was living my life halfway, without as much zeal. So she was the real inspiration.

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The Princesses May have Fallen but the Myths they Push Still Stand Tall

Recently Dina Goldstein’s Fallen Princesses project popped up in my internet browsing, probably as a result of one of the many posts questioning and critiquing this series on some of my favorite feminists blogs. I’ve been wanting to write this post for days but have found myself unable to – simply because, like many others, I’m not exactly sure how I feel about these images and what I want to say. These images are hard to comment on, probably because there are so many of them, and each one conveys a radically different message (a message that is highly open to the viewer’s determination, no less), but I’m going to try my best.

Let’s start with the one I found most offensive: Not So Little Red Riding Hood. At first (and second, and third) glance I found this picture to be horribly fatphobic, especially after the author explained her vision of this image in the comments as a, “personal comment on today’s fast food society.” As a personal comment on today’s ‘fast food society’ this image irks me at first in the sense that it perpetuates the myth that weight is inescapably tied to the quantity and quality of the food one eats (ignoring, of course, the wide range of genetic factors that go into one’s weight.) On a more base level the inclusion of this picture into a gallery of “Fallen Fairytales” attaches a value-judgment to being fat – to be fat is to have fallen, in some way, from the standards that one is meant to adhere to. To be quite honest conflating fat with bad is just as harmful of the old fairytale adage that tells us the women who are thin and beautiful are always good and moral, because along with that belief comes the inescapable conclusion that it’s opposite, fat and ugly, are evil or bad. Far from an attempt to undo fairytale stereotypes, Dina’s artwork seems to confirm them by adopting fairy-tale values to comment on a more modern situation.
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Film Review: The Stoning of Soraya M

The Stoning of Soraya M
Directed by Cyrus Nowrasteh
MPower Pictures

Click Here to see the trailer on PShiftTV

The Stoning of Soraya M. is a shocking and heartbreaking story of female oppression. The film, adapted from the 1994 book by the late Iranian journalist Freidoune Sahebjam, is based on a true story. Sahebjam learned the story of Soraya M., and started writing just six months after her death.

The film sets a dismal tone from the very beginning as viewers learn about the violent and humiliating marriage in which Soraya is trapped. Soraya stays with her abusive husband because she lacks the financial resources to raise her daughters without him. When Soraya’s husband fails to force her into a divorce that would free him to marry a fourteen-year-old girl, he begins plotting with other men in the village to falsely accuse her of adultery and then have her stoned.
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Men on Feminism

Feminist and educator Jackson Katz speaks about the impact of women’s issues on everyone, not just women. UC Berkley co- president of NOW, Mike Modula, talks about the importance of all oppressed groups working together.

Viewer Feedback
Do any readily identifiable feminist men exist? There is an importance in oppressed groups working together, but does it distract from each groups main goal? Or does the strength in numbers matter most?

Click Here to Post Your Responses!

Vinnie Angel on ‘The Other Half

Vinnie Angel is interviewed on the talk show The Other Half. He discusses and shows the products he has made for women and their menstrual cycles.

Viewer Feedback:
Why are men typically so squeamish about menstruation at the same time that women’s sexuality is increasingly public? How can products like this really facilitate an honest discussion about female sexuality between men and women?

Click Here to Post Your Responses!

He Stands

He stands
wider than anyone else on the stage.
Takes the
chosen time to regal us
with tired words of
women-hate.
Crazy hurled around like an
electric shock
keeping me in place.
He attacks their clothes,
looks to their bodies as signs of
own-ability and flirts
to get his way – in.
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Shopping in my Closet

lately i”ve been thinking a lot about clothing.

i”ve gone through many wardrobe changes in my life – i like to imagine them as different costumes for the different roles i”ve had to play. there were the first years – lacy, frilly, all matching, already refusing to eat – a nice, sweet little pollyanna. innocent, and sexualized. i was loved. then i got older, fatter, more interested in lots of colors and loud, clashing patterns. i like to call this my punky brewster phase – a personal fav. but, i was “ugly” (i.e. – no longer a doll) and so – unloved. this realization brought on the stlye-depressed, no-interest-in-clothes-or-appearance phase – unloved and now invisible. i soon realized i was never going to get anywhere being the “ugly” girl, stopped eating all-together and wore all belly shirts, synthetic bright orange and brown shirts that clung to my body and the perfume “charlie”s white” (after my father”s name). i wasn”t loved… but i was sexy again. high school brought on the all-american girl phase (otherwise known as i-want-to-be-like-andie-mcphee-from-“dawson”s creek” phase) – loved. in college it was 50″s style dresses with white sneakers (while i dreamed of pumps) – loved. JCrew perfection – loved. all-black-all-the-time depression (opposite of the pollyanna i started with) -unloved but sexy. and finally the pop-punk pierced eyebrow with dyed hair phase (the grown-up punky brewster!) -unloved, and sexy.
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What Matters

What matters is the color of the floor,
unwashed and sticky
blackness, between the boards, the
sweat beading familiar and
wet on my hands,
the shape of her brow
as she smiles at me
more than she frowns, and
the times when I can say
a�?thi

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a�?how did you see ita��, and actually
listen to the words unwashed
and porous pouring from her mouth.
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Hopes for Obama’s Cairo Speech Turn Out to be Too Audacious

With the rest of the world I anxiously tuned in to what has been labeled Obama’s “Cairo speech.” Most importantly, I was hoping the President would give appropriate attention to the issue I consider a top priority in our relations with the “Islamic world”: the status of women. When Obama said “let me speak as clearly and plainly as I can about some specific issues that I believe we must finally confront together,” I braced myself; fingers crossed, to see what he would say about the violence and discrimination that plague so many women’s lives in the Middle East.
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