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NOW NYC to Offer Free Yoga Classes for Survivors of Violence & Allies

This year NOW NYC is adding an exciting new program to their calendar. Starting January 27th will begin to offer free yoga classes at their mid-town location (150 W. 28th St). The class is called “Head to Heal” and is specifically designed for survivors of violence and their allies.

Instructor Rebecca Rafelson, a NOW NYC board member, describes the class as “a specialized yoga program designed for women seeking healing from violence. Using an empowering, movement-based approach to healing, the program is rooted in the idea that emotional healing can be facilitated through conscious self-exploration of the body.”

While the class is geared towards creating the best space possible for victims of violence, all feminists are welcome to attend.

The class will use a “vinyasa flow”, which focuses on cultivating inner-awareness, strength and peacefulness by linking breath with movement, mind with body. Following the vinyasa flow a 30-minute cool-down, relaxation and discussion period take place. Participants will be encouraged to share their experiences and connect with other class participants.

Classes will be held the second, third, and fourth Wednesdays of each month and will begin at 6:30pm. Yoga mats will be provided.  The class is free, although donations to cover operating costs are welcome.

For more information on Head to Heal contact the NOW NYC office at 212-627-9895. For information on the other programs offered by NOW NYC visit their website http://www.nownyc.org/women/index.php

Feministing.com Interviews PShift Co-Founder & Director, Meredith Villano

Feministing.com Interview!

Feel free to comment!

Book Review: The Tattooed Lady by Amelia Klem Osterud

<a href="http://www.paradigmshiftnyc.com/feminism/wp-content/uploads/2009/12/the-tattooed-lady-and-a

uthor.jpg”>Author Amelia Klem Osterud

Author Amelia Klem Osterud

Review by Janice Formichella

Prior to contemporary notions of feminism and economic independence countless brave women paved the way for our generation by taking risks, challenging the status quo, and daring to be nontraditional. Among the more fascinating are the “Tattooed Ladies” that travelled the globe with circuses and performed as exotic “oddities” in dime museums in the early 20th Century.

The Tattooed Lady, written by librarian Amelia Osterud provides a first-time look into the history of the many tattooed lady performers. The book includes a comprehensive look at the history of the tattooed lady as an act itself, background into the history of tattooing, and individual histories of many successful tattooed ladies.

One fascinating thing I learned is that several tattooed ladies worked side by side male partners. Two of the earliest and most well-known tattooed ladies actually married men who took their last names. Remarkably enough, the earliest tattooed lady on record, Irene Woodward, who arrived on the scene in 1882, was one of these women. Each woman had achieved more fame than her husband the couple saw it as more beneficial to use the name of the wife. This shows a lot of willingness to be unconventional, both for the tattooed ladies themselves and their husbands.

While it would be unfair to judge the Fruit machines tattooed ladies according to a contemporary feminist lens, Osterud believes that tattooed ladies were definitely early feminists: “That tattooed ladies found a way to chose a better paying, downloaf free games more rewarding career makes them feminists, even if they would not have considered Up for a science challenge? Check out our con drivers ed book online video competition winners earn some awesome prizes!Get challenge updates sent right to your inbox!Learn more about how to make a winning video entry. mobile Ben 10 games free download for girls themselves such.” Without a doubt these women were exercising a level of control over their own bodies that few women in the early 1900s were willing to exercise, and they used the dynamic to financially support themselves and their families.

While the tattooed ladies had the self-determination to seek lucrative employment, the decision to tattoo had little to do with self-expression. It was truly a online casino means of making a good living, and all tattooed ladies featured in the book were tattooed to be able to cover all tattoos while not performing.

The first tattooed ladies appeared in the later part of the 19th Century. The act’s popularity reached its peak at the beginning of the 20th century, however the last tattooed lady, Lorett Fulkerson, actually worked until 1995.

The decline in popularity of the tattooed lady coincided directly with the growing popularity of tattoos as a form of self-expression. This trend resulted in a loss of mystique for the tattooed lady performers and the act became less and less profitable.

While tattoos themselves are no longer seen as a marketable act, many female performers still favor tattoos. Osterud highlights several such women at the end of her book. One performer is Peekaboo Pointe, a burlesque dancer here in New York City. I have never been to a burlesque show or understood their popularity among my feminist friends, but after reading The Tattooed Lady and learning more about its culture I think I may just attend one of Peekaboo Pointe’s shows!

The Tattooed Lady provides a thorough history of both tattooed ladies and tattoos in general, yet is so full of fabulous photographs that it can be used as a coffee table book. The selection of photographs in the book is so phenomenal that I had to look through the entire book before starting to read it.

The Tattooed Lady makes an excellent gift for anyone with tattoos, anyone interested in American history, and any women’s history enthusiast. It is a fun and unique book and will keep anyone who picks it up turning pages.

Amelia Osterud currently lectures about tattooing and may come to NYC next year for an event. Heres to hoping!

Guest Post: Sex. Consent. Power. Pleasure. THE LINE screening & Panel Discussion

By Nancy Schwartzman, “The Line” Filmmaker

posted originally http://whereisyourline.org

Last week, over 100 New Yorkers (and a few strays from New Jersey) crowded into Gallery Bar to watch THE LINE and hear from a kick-ass group of panelists, including: Erin Burrows of SAFER, Joe Samalin of Men Can Stop Rape, and Ignacio Rivera, trans artist, poet and educator. Thanks to everyone that came out and gave their voice and support!

Folks crowded up to the bar and sat along the wall for cushy seats. We give extra love to those who sat on the concrete barroom floor. Julia Weis and Meredith Villano, of Paradigm Shift hosted the event and got us the Time Out critic’s pick for the night. I was extra nervous to present the film to the home-town crowd, but was rewarded by watching the story work as a catalyst to bring folks together to talk about consent, accountability, and creating a real change in our communities and bedrooms.

After the film, I answered questions – and to my delight – fielded one from the bartender, proving that everyone has a stake in the conversation. He wanted to discuss the socialization of men, and how we applaud male promiscuity, and judge the same behavior in females. I bounced his question to Joe, who could address the work being done by men to challenge male assumptions and socialization.

Joe mentioned that even doing this work personally and professionally, his gut when watching the film, still ran to victim blaming and doubting it ‘was rape’ first.

Even as I KNEW that wasn’t the case, and knew it was socialization, I couldn’t help but go to that place of questioning (you) and getting defensive.

I asked him later about using the film in his work as an educator:

The film helps us frame sexual violence not ONLY as a women’s issue but men’s issue, and it helps us address the nuances of mens responsibility as a whole/group for the violence committed by a not so small small minority of men. My dad (bless him) actually pointed out that I should have also mentioned that we don’t want to ‘other’ violent men, that we are ALL educated/socialized to be violent, and all have that potential.

Erin Burrows explained her work as an activist with SAFER and their unique campus-based perspective:

We can prevent sexual assault through a strong communally shared and agreed upon definition of consent that accounts for a wide range of sexualities, and that a definition of consent must put the onus of obtaining consent on the initiator, and insist that silence, a previous or current relationship or consent to a previous sexual act is NOT consent.

She emphasized that a strong sexual assault policy for a contained community, such as a college campus, must hold people who violate consent accountable through a fair disciplinary process.

Ignacio Rivera really called out the idea of privilege and reminded me that the personalis political. They discussed the importance of harm-reduction, non biased and non judgmental approaches to assessing risk, communication and best practice for sexual health. The concept and practice of Risk Aware Consensual Kink (RACK) and Safe, Sane & Consensual (SSC) were cited as examples, and were new terms for a lot of folks in the room, myself included. Ignacio made clear that we can all learn from the queer, kink and BDSM communities when we talk about consent and sexual behavior.

Melissa Gira Grant asked the question about how we could respond to the topics raised in the film and during the panel that address the needs of the queer community. Erin responded that a movement for sexual assault policy reform must come from a broad coalition of students that is sex-positive, trans and genderqueer inclusive, and accounts for the intersectionality of multiple identities and how that impacts a person’s experience as a survivor of sexual assault. Ignacio underscored their point about taking cues and lessons from the complexities of consent from within the kink and BDSM communities. I chimed in that we’re planning on shooting some short videos to accompany the educational package of THE LINE that will include these discussions and perspectives.

Audience member Kalimah Priforce spoke up:

I am a victim of rape. When I was two years old, my mother was giving me a bath. I slipped and fell, and was bleeding. My father punished her, and raped her. My brother was born of this rape, and I buried him 18 years later. Men need to stop this violence, because we are all effected by it.

After a bleak political week, including an escelation of the war in Afghanistan and the voting down of marraige equality in New York State, hosting and provoking dialogue about creating more sex-positive education, conversations and communities, was a big, bright spot. What are some other ways you’d like tocontinue this dialogue?

View “The Line” trailer

“Feminist Art Series” Artist Profile: Rebecca Goldings

This is the first installment of  Paradigm Shift’s Feminist Art Series, which will showcase up-and-coming visual designers whose work creates innovative ways to speak to the everyday feminist.

Please welcome Rebecca Goldings, our premiere Artist Profile!

Rebecca is an artist and mediamaker from Dallas whom I met a few summers back when the two of us were interning at a nonprofit arts organization. Being a fellow Texan and NYU attendee, we soon hit it off — and I knew once the PShift blog was up and running that we had to feature some of her amazing work.

Though Rebecca’s focus is multimedia art production, her portfolio also features several drawings that capture her vibrant, honest and unsettling perception of gender norms. Below are two examples of her work: “Barbie on a Leash” and “Sweetheart” (series) – both of which might be best described as resembling pop art with a twist.

Barbie On A Leash

Barbie On A Leash

Sweethearts (series)

Sweethearts (series)

Rebecca’s photography is also incredibly provocative, but you’ll have to check that out on her web site at www.rebeccagoldings.com, since we haven’t gotten clearance to post her photographs on our blog yet (C’mon, R!).  *** Staff Pick: “Another Hairy Thing With Lips”.

Of her many accolades, Rebecca was recently  selected as a 2009-10 Artist Fellow at The Drisha Institute for Jewish Education. In her spare time, she freelances web and graphic design, which you can also check out online (link above).

For price requests or questions about Rebecca’s work, please contact her by email at rgoldings@gmail.com.

“A Voice” By Shetal Shah

A VOICE

-By Shetal Shah
April 2004

I don’t want the war anymore.
The uphill climb…
The battle’s done,
Only half won
But
One more breath, one step…
I can’t continue the trek.

I crave silence.
To be unmoving, soundless, still.
My pipe dream for next year
Right now Herstory tells me to persevere.
I’ve got to march forward and contest.
For to be still is not to progress.
To be silent is not to express

The heaving weaving burden
First placed upon my chest
By the distress
Of less.
By the truths powerful men
Dare not confess
Not even to their mothers.

Sisters, Aunts, Daughters
Tallying beneath the 51% status quo we know to be accurate – the census said so.
This power in numbers should have been ours to devour.
(After all) Isn’t democracy’s choice determined by the majority voice?
Yet, the stench of strength from mere muscle power bullied Alice Paul
In an attempt to make her cower.
Instead, she found Inez and gave her wings to fly – zigzags and loopholes
That threw mute girls back at the 49% few.
Mute girls with pin curls
On gallant white horses come to preserve their 2% spread.

2% skimmed milk
White women’s’ skimped silk spun by the black worm that toiled all day
Exhausted.
All shades in fabrics made every which way
Passed out on the couch
Or cot or settee
Ready in spite of race, caste or creed
For tomorrow.

They were quiet.
This quieted riot.
Non-violent and spun twice around for Wilson to pin the tail yea or nay.
Their civil disobedience
Turned more intense
By threatened egos
whose N-O’s surmised their cries as pointless.

Prison guards
In charge of bars
Irreverent to the weight stigmatic stripes
Tacked on their backs…
Hee hee said She –
For with cheek, jaw and soul breaking came revelation of being, irreversible seeing,
Each blow only more so the needing to give purpose to unbearable lightness, the conclusion an end to naive delusion.

Windowless and inside cold steel lines
Unified women took only one side
Drew new lives reinvented
spread through horizontal vents’ drifting sniffed scents
to outside park bench’s newfound wenches wrenching with twisted ills,
their noses posing as hallways and corridors for freedom fought odors to travel through
to spike the spirit inside their minds and grow IDEAS – oh my – seeds that could look to the heavens and seek the sun.
These lasses the locked up masses linked and fed
Through subliminal instincts they led.

Fertilizing more,
These Iron-Jawed Angels, all
Took their place at Wilson’s door
Picketed and paraded in Bonnets and Banners.
Banners with words that slapped the President’s cheeks with his own tongue.

A tongue that flung far-reaching saliva trails
to prevent Our Nation’s asphyxiation.
How could he?
What hypocrisy.
Dares he to dictate democracy overseas
When 50 states sired 51% shes
That can’t speak?

Finally, on account of one iron-clamped jaw, force-fed eggs raw
through plastic tubes that rudely bruised,
Newspapers adjusted their alien ears to twist human into woman.
Exposés bashed bad prison decorum and smeared the good President’s fame.

The star in his own puppet show,
On stage feigning interest in female lives
He turned his face to its good side for the camera eyes admiring
his newborn need to satisfy women’s rights to breathe.
Mere public cries that served to satisfy classified survival desires
While in private attire his unseen cheek refused to heal.

If I believe that angels don’t lie, then where are the versions revised for future minds?
Who will fix history’s story line?
My cry? Stop young feet from passing past the past’s crickety creak,
Scrape blind haste from its underbelly and unclog soggy leaks drenched in blind faith.

Yet, even as I deny untruths made by one side
I grudgingly avow each version valid through its own eyes,
and discover that My faith is blind.
Why?
Back to present day,
When the delusional man on the train points me to his carefully created statement
Plastic cup taped empty off to the side
At a time when one more push thrusted into my pregnant mind –
Actively contracting over the happiness of this lonely society –
Will birth agitated and rolling eyed,
My pleading outcry
For one long sigh
For one long silent ride
Away from this one and that one and this bum and that bum’s decree
To denounce the mayor’s power after he
Caused the father to deflower –
The mother? (What??)

Even in my most impatient state,
I must not erase, must, in blind faith, celebrate,
His rightful perpetuation of our salvation to
Speak
Freely.

Poem originally commissioned by Poetic People Power.

Different – a poem by Cristina Dominguez

You think of me and decide
Directly you decipher me…
Different
I’m different cause I’m distant
Detached where you distinctly dismissed me
Different
I’m different because I’m damaged so you neglect me
Disappointingly dissect me
Only to reject me
You ignore my dimensions…
Different
I’m different so you detain me
Disempower me and blame me
Disapprove of me and shame me
Because I challenge all you know
I’m different

I’m different so you had no choice to dismantle me
And now I’m on that mantle you see
A haunting memory of a life so distinguished
A life you had to extinguish
But a life you could never diminish
Because I’m different

And now this voice soars higher
Dominating the evil that tried to
Eliminate
Rising embers from ashes
Left behind of a life
Destructively disassembled
But never successfully destroyed
A life that dared to love…

To love the different
To stop lying and denying
To be the different
To dig deep and discover
That different
Is more dissimilar to foreign
And that we are looking
Too far in
To the development
Of a definition
That has no recognition
For the discrimination
In our nation
That drowns any dream of emancipation
And devours people like me
The different

But don’t hesitate
To contemplate that we
The different
Don’t pay haste to the distaste
That does not embrace
We are not disheveled on any level
By those discomforted
Those deaf to the sound
Of our disruptive drumming hearts
That dance to the beat of revolution
And demand evolution

Don’t guard our disregard
Deconstruct this constricting construction
Open the floodgates and wait
Let the love pour over you
Ending the hate that reigned over me

In your own way, on this day…
Stop divorcing yourself from me…
From the different
Stop demeaning our meaning
Be different

Lesbian Librarian Reviews: “Band Geeked Out”

Publisher: Llewellyn Worldwide, LTD.
Pub. Date: April 2009
ISBN-13: 9780738714691
Age Range: Young Adult
288pp
As most of my friends are on unemployment, underemployed, or “freelancing”, during most worldly encounters, including reading, I have begun to take notice to the ways in which folks make money in the world.  Now, reading a piece of young adult fiction is less about the contours of a remarkable story, and more about the audacity of its author.  Before reading the book’s description and accollades on the back cover or inside jacket, I first go to the author’s bio and study her photograph.  Vanity overrides my better judgement: I question her beauty, her smarts in choice of photographer, her boldness for allowing her face to be so mutilated by onlookers like myself, and question her economic well-being as a result of my touching her book. How could I not? For all of my reading pleasures, I must acknowledge that I’m keeping someone employed, that by reading this title, I’m actively not sustaining some other aspiring best-selling author.

This week, I’ve sustained the closely cropped, red-headed Josie Bloss.  Her bio sold me, because she left her position in law to relocate to a quiet town, (likely with a cushioned savings account) to write books…really, she is living my dream.  The best part, is that she mentions her truest love, BAND, yes, as in marching band.  So still, someone as ballsy as her, still has unrelinqished potential.  As authors go, Bloss passes my litmus test for worthy-to-be-read, but I still have questions regarding her sexual politics.

An example of what I mean, is that for a young adult novel, I was surprised by the blow-job, but not even a single girl-on-girl grope.  I mean, the premise was about band, but the underlying story asked, does she pick the girl, or does she pick the guy.  I’m always routing for the girl, of course.  And as I read on, I consulted with friends who often teased, “what, does the lesbian die in the end?”

Not your standard contemporary pulp novel, Bloss was able to outline the inner turmoils of the “questioning” generation.  Beyond the ultimate question of, what do I do with my life, (which Obama would call a high-class problem to have), when your parents have a trust-fund for you to pick the college of your choice, of course the next question would be, “do I date this even cooler girl?”

Perhaps the novel led me to wonder if I was tired of reading the story from the perspective of the questioning.  Contemporary references of Lindsay Lohan aside, I found myself wanting a deeper analysis of character distinction.  Although as easy to read as a blog, one-dimensional characters shouldn’t have identity crises beyond what to wear.

I recommend this book to teens who are unsure of which paths to choose.  But still, I wonder, are we still in the age of classic pulp, where the dyke dies as she aims to lure the young voluptuous maiden?   Plainly, should we continue to endorse young adult novels with lesbian characters, where the questioning girl doesn’t love the lesbian in the end?  And I ask this, even with respect to the audacious author who gives us new hope for an employable future.

Signing off for now.
Your Lesbian Librarian.

Afro-Punk Festival – Brooklyn Academy of Music (BAM): Brooklyn, NY (7/3-7/12/2009)

Afro-Punk

In preparation for writing this review I watched the Matt Davis” documentary that inspired BAM”s Afro-Punk Festival. Afro-Punk is a movement that gives “a voice to thousands of multi-cultural kids fiercely identifying with a lifestyle path-less-traveled,” particularly those who are into indie, punk, and hardcore music. The film is an insightful look at a topic that I had never really considered: what it is like to be an African American who is involved in a scene that is overwhelmingly White.

Afro Punk (the film) provides a peek into the internal conflicts Black people face by being one of the only people of color present in these musical and artist communities. Throughout watching the film I found myself wishing more young White people could hear these feelings, and was glad the Afro-Punk Festival would provide a way for New Yorkers of all backgrounds to come together. I had the opportunity to attend some of the Brooklyn events, and You&#8217re a long way from convincing me that MR is just like the Austrian school-delays.com because of this issue!You know&#8230 actually I think Scott and Nick did soften slightly&#8230 When Scott 1st brought this up he claimed that if he wasn&#8217t 100% correct about MOA then everything he ever This is true for big as well as online casino traditional data. written is completely false&#8230. though most of the music was new, the introduction through both street fairs and the website was welcome.
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The Stoning of Soraya M. engages the NYC feminist community

Many of you have by now seen The Stoning of Soraya M, featured last month at Paradigm Shift. The film continues to expand to more theaters and continues to create much buzz and the Iranian conflict drags on. Some members of the New York City feminist community are spending their summer promoting the film and making sure that Soraya’s story is heard by all those who value justice and human dignity.

One of these women is Irshad Manji. Irshad is a dedicated feminist, a Muslim reformer, a freethinker, and perhaps best known for her book The Trouble with Islam Today. Irshad is most currently the founder and Director of the Moral Courage Project at NYU’s Wagner School of Public Service.

The Moral Courage Project has recently launched a new website and is sponsoring a summer-long campaign with the producers of The Stoning of Soraya M.

The blog covers feminist-friendly topics such as men and violence, free speech, human rights, religion, violence against women, media, and more. An important aspect What are symptoms?Detox symptoms refer to the physical and psychological withdrawal symptoms that occur when someone attempts to withdraw from a substance they are addicted to. of the website is “Take Action” information about how to do your part to stop against honor also another test of whether the concept of lending reserves is valid is to look at the semnantics of the word, if banks did lend reserves in the school-delays.com process then they could reasonably expect to receive them back again from the actions of the loan customer as that is what the verb to lend entails. killings or get involved with Moral Courage Project. There are tons of resources for online activism and even opportunities for guest bloggers.

The Moral Courage Project website promotes critical thinking, the free exchange of ideas, and speaking truth to power, all things we as feminists love! One post of honorable mention is Caution: Men at Work (Demolishing Violence) that explores the issue of men and violence.

One exciting event that the MCP will hold this summer is a live online conversation with Cyrus Nowrasteh, the director of The Stoning of Soraya M. No topic is off limits! Email Janice.formichella@gmail.com for more information on this event or the Moral Courage Project.

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