-
August 11th, 2010Blog, Call for Submissions, Paradigm Shift EventCall for guest blog, video, and graphic art submissions in preparation for Paradigm Shift’s next event:
BODY TYPED short films on perfection
Screening & Discussion Featuring
JESSE EPSTEIN, Sundance award-winning Filmmaker
BODY TYPED is a series of short films about body image, media, and cultural identity that will be combined to make a feature documentary. The films use humor to raise serious concerns about the marketplace of commercial illusion and unrealizable standards of physical perfection.
WET DREAMS AND FALSE IMAGES
When Dee-Dee the barber learns about the art of photo-retouching, he may never look at his “wall of beauty” the same way again.
Short Subject Jury Award, 2004 Sundance Film FestivalTHE GUARANTEE
A dancer’s hilarious story about his prominent nose and the effect if has on his career.
Best Short Film, 2007 Newport International Film Festival34×25×36
A look at mannequins, religion, and perfection.
SXSW, Full Frame, True/False, National PBS Broadcast on POVWEDNESDAY, AUGUST 18th at 6:30 pm
Just outside the Feminist District
The Tank- 354 West 45th Street (between 8th & 9th Ave.)
Subway: A,C,E to 42nd Street/Times SquareCost: $12 students/ pre-paid, $15 at door
BUY TICKETS NOW- LIMITED SEATING:
http://www.brownpapertickets.com/event/117245Facebook invite: http://bit.ly/cofvXX
Submission Deadline- August 22
Use these prompts as guidelines for submissions; essays, poetry, and artwork in all forms accepted:- the effect of stereotypes on bodies
- body image and health
- expectations that friends and family have of our bodies
- how appearances intersect with gender and sexuality
- the portrayal of bodies in the media
- body empowerment
- social acceptance versus personal acceptance
Submit responses to blog@paradigmshiftnyc.com Please include how you would like to be credited (name, anonymous etc). Video submissions- please submit YouTube private link. Email subject line: Your Name- Blog post- 3/30 Event.
ParadigmShiftNYC.com content is licensed under a Creative Commons License.
-
August 8th, 2010Blog, Events, Partner Event
August 14, 2010 10:00 am to 12:00 pm Tags: candidates, NOW-NYHave Breakfast with NOW-NY State Political Action Committee andMeet the Candidates for NYS Governor and NYS Attorney General
Candidates for Governor Andrew Cuomo (not confirmed)
Sponsored by the National Organization for Women-NYS PAC
(Candidates for these offices have been contacted.)
Andi Weiss Bartczak (confirmed)
Warren Redlich (confirmed)
Howie Hawkins, (confirmed)
*****
Confirmed NYS Attorney General Candidates:
Kathleen Rice, Nassau County District Attorney
Eric Schneiderman, NYS Senator
Richard Brodsky, NYS Assembly Member
Eric Dinallo, Professor at NYU
Sean Coffey, Former Prosecutor (not confirmed)
Date: August 14th, 2010
Time: 10:00 am
Location: 155 Washington Avenue,
Albany, NY (SEIU Building)
Cost $20 per person Pay online at http://www.nownys.org/pac_donate.html Seating limited! For more info: Call 518-452-3944
or
email Info@nownys.org -
August 4th, 2010Blog, Events, Partner Event
August 14, 2010 11:00 am to 10:00 pm The Big She-Bang, organized by For The Birds Collective, is being held on Saturday, August 14th at Church of the Messiah, located at 129 Russell Street (Lower Level), Greenpoint, Brooklyn, NY from 11AM to 10pm.
The Big She-Bang is an all-day event of workshops, panel discussions, visual art, and music by and for women-identified artists & community members. The Big She-Bang strives to cultivate a space for women to share creative endeavors, exchange ideas, and provide support in a safe and open-minded environment. It is a multimedia event that serves as a platform for women artists and activists. This year’s She-Bang festival will include workshops and panel discussions, live musical performances, an all-day art show and tabling by various feminist organizations from New York. The event is always all ages, and everyone is welcome.
THIS YEAR, our theme is – Feminist Communication.
Throughout the day, there will be an art show exhibiting different mediums of work created by various women in New York City:
PATTY BOWMAN
MOLLY FAIR
XANDER MARRO
BETH SLUTZKYWorkshops and panel discussions will also be happening throughout the day, covering topics such as:
on FEMINISM THROUGH CREATIVITY
presented by members of Sister Spit & YOUNITYon CONSENT & INTERPERSONAL COMMUNICATION
presented by Support New York & Fuckin’ (A)on YOUTH & MEDIA
presented by Femmedia, Nicole Acosta, & Nydia SwabyThe event will end with performances by:
& 1 more TBA
We are asking for a $6 to $10 sliding scale donation, although no will be turned away. A tape and CD compilation of bands fronted by female and woman-identified rockers, including some of those performing, will be available for purchase.
The collective that organizes The Big She-Bang is called FOR THE BIRDS. For The Birds is a collective of New York women whose main intent is fostering the creative empowerment of women, as well as the dissemination of feminist projects: art, music, information, and scholarly work. A large part of this feminist info-sharing occurs in the form of a distro and a label imprint. In our distro, we carry writing, art, and music by feminists and women-identified folks. On our label imprint, we continue to publish similar work.
The Big She-Bang was previously a celebration thrown by the Long Island Womyn’s Collective. Information on The Big She-Bang 1 & 2 can be found here: http://myspace.com/liwomynscollectiveAll information on The Big She-Bang 3, 4 & 5 can be found here: http://myspace.com/thebig_shebang
or
http://www.forthebirdscollective.org/about2/herstory/
DIRECTIONS
http://www.messiahbrooklyn.org/
129 Russell Street — Brooklyn NY 11222 — 718.389.0854
messiahgreenpoint@gmail.comSUBWAY:
FROM THE G TRAIN
Take the G to Nassau Ave. Exit near intersection of Nassau Ave. and Manhattan Ave. Walk East on Nassau towards Leonard St. (about 7 blocks), make a Right on Russel St. when you reach McGolrick Park.FROM THE L TRAIN
Take the L to Lorimer St. Exit near the intersection of Lorimer and Metropolitan Ave. Walk north on Lorimer towards Conselyea Ave. where you will pick up the B48 Bus and take it to the intersection of Nassau and Humboldt Streets. Walk one block east on Nassau to Russel St and turn right. Church will be on your right.BUSES:
The B48 stops at Humboldt and Nassau Aves. Walk one block east on Nassau to Russel St and turn right. Church will be on your right.Take the B62 to Manhattan and Nassau Aves. Walk east on Nassau towards Leonard St. for 7 blocks and make a right on Russel St. when you reach McGolrick Park.
For any further questions or press contact, please contact us at forthebirdscollective@gmail.com
Contact: thebigshebang@gmail.com
Day of event inquiries: call Kathleen at (717) 725-2176 -
August 3rd, 2010Blog, Events, Partner Event
November 30, 1999 12:00 am August 4, 2010 6:00 pm to 8:00 pm 
NARAL Pro-Choice New York
470 Park Avenue South, 7th FloorPlease join for a fundraising phone bank to benefit our Political
Action Committee. We need your help! In the upcoming elections, we
need to elect only those candidates who have made a clear commitment
to standing up for the women and families of this state and the values
we hold dear. With your help, we can have the resources necessary to
make real pro-choice political change this fall.
Training and pizza dinner will be provided.
To RSVP, please contact Lalena at lhoward@prochoiceny.org or 646-520-3506
Sign the Reproductive Health Act petition on-line!:
http://www.prochoiceny.org/getinvolved/rhapetition.shtml
-
July 22nd, 2010Blog, Events, Partner Event
September 12, 2010 
NEW YORK, NY - The Jewish Museum will present Shulie: A Film by Elisabeth Subrin from September 12, 2010 through January 30, 2011 in the Museum’s Barbara and E. Robert Goodkind Media Center. Shulie (1997) is a shot-by-shot remake of a little-known documentary about 1960s feminist Shulamith Firestone. Author of the treatise The Dialectic of Sex: The Case for Feminist Revolution, Firestone was a student at the School of the Art Institute of Chicago in 1967 when four male directors selected her as a subject for a film about the so-called Now Generation. Shot in the style of direct cinema, the original Shulie featured Firestone discussing religion, the limitations of motherhood, and racial and class issues in the workplace. Thirty years later, Elisabeth Subrin recreated Shulie using actors in many of the original locations. The resulting film is a nostalgic and somewhat cynical reflection on the legacy of second-wave feminism. Subrin writes, “in the compulsion to remake, to produce a fake document, to repeat a specific experience I never actually had, what I have offered up is the performance of a resonant, repetitive, emotional trauma that has yet to be healed.” The exhibition also includes four new digital photographs of enlarged film stills from Shulie, two of which will be shown for the first time. Shulie is presented in conjunction with the exhibition, Shifting the Gaze: Painting and Feminism.
Elisabeth Subrin’s award-winning work has screened widely in the US and abroad, including in solo shows at P.S.1, The Museum of Modern Art, The Vienna International Film Festival, The Institute of Contemporary Art, Boston, Harvard Film Archives and The San Francisco Cinematheque; and in group shows and festivals at The Whitney Biennial, The Guggenheim Museum, The Walker Art Center, The Wexner Center for the Arts, The New York Film Festival, and The Rotterdam International Film Festival. She has received grants and fellowships from the Rockefeller, Guggenheim, Annenberg, and The Creative Capital Foundations, and participated in the Sundance Institute Screenwriting and Directing Fellowships with her first feature-length narrative film, in development with Forensic Films in New York. She has received film commissions from The MacDowell Colony and The Danish Arts Council for recent projects, The Caretakers and Sweet Ruin. A solo exhibition curated by Lia Gangitano will take place at PARTICIPANT, INC. in New York in 2011. She is currently Assistant Professor of Film and Media Art at Temple University and lives in Brooklyn, New York.
Located on the third floor of The Jewish Museum, the Goodkind Media Center houses a digital library of radio and television programs from the Museum’s National Jewish Archive of Broadcasting (NJAB). It also features a changing exhibition space dedicated to video and new media. Using computer workstations, visitors are able to search material by keyword and by categories such as art, comedy, drama, news, music, kids, Israel, and the Holocaust.
Media programs are made possible with public funds from the New York State Council on the Arts, a State Agency.
About the National Jewish Archive of Broadcasting
The National Jewish Archive of Broadcasting, founded in 1981 in association with the Charles H. Revson Foundation, is the largest and most comprehensive body of broadcast materials on 20th century Jewish culture in the United States. With a mission to collect, preserve and exhibit television and radio programs related to the Jewish experience, the NJAB is an important educational resource for critical examination of how Jews have been portrayed and portray themselves, and how the mass media has addressed issues of ethnicity and diversity. Its collection is comprised of 4,300 broadcast and cable television and radio programs.
About The Jewish Museum
Widely admired for its exhibitions and educational programs that inspire people of all backgrounds, The Jewish Museum is the preeminent United States institution exploring the intersection of 4,000 years of art and Jewish culture. The Jewish Museum was established in 1904, when Judge Mayer Sulzberger donated 26 ceremonial art objects to The Jewish Theological Seminary of America as the core of a museum collection. Today, the Museum maintains an important collection of 26,000 objects—paintings, sculpture, works on paper, photographs, archaeological artifacts, ceremonial objects, and broadcast media.
General Information
Museum hours are Saturday, Sunday, Monday, and Tuesday, 11am to 5:45pm; Thursday, 11am to 8pm; and Friday, 11am to 4pm. Museum admission is $12.00 for adults, $10.00 for senior citizens, $7.50 for students, free for children under 12 and Jewish Museum members. Admission is free on Saturdays. For general information on The Jewish Museum, the public may visit the Museum’s Web site at http://www.thejewishmuseum.org or call 212.423.3200. The Jewish Museum is located at 1109 Fifth Avenue at 92nd Street, Manhattan.
-
July 21st, 2010Blog, Cristina Dominguez
I’m learning more and more
the space between each l e t t e r
now further apart with you,
now that I’m a part of you,
they aren’t even near
they can’t touch the meaning
inside and around themthey are leaning
trying to see
to understand
to hear in their own echo
the purpose,
the beautiful curse,
that found them first…usually the story starts
and finds the beauty,
lying in the darkness,
the kind that no one saw
there all along
the hidden familiar
the meant to be
created reality
a meaningless song
that only has meaning
because it has been repeated
for far too longthose stories miss
the perfections in the flaws,
the inflections of light
that live in a darkness
so dense
so permanent in presence
so pregnant with heart-wrenching potential
that sight can’t find them,
our eyes can’t see them,
only once
they give up trying,
close and closed
they open up,
they erupt
and cry
tears breaking
their seals
losing
and lost againwhat no one knows
you’ll learn there
thick
true
black
light
never
lies
white lies
fairy tales
are blinding
and bindingthe monster
is a princess
who thinks
who feels
who wantsthe monster
is the princess
that is realthe webs we weave
don’t tap into
a tapestry of harmonybut tangled
mangled
contorted and tortured
I’m wrapped
in the craft
in the work
that taught me my worthI’m sleeping
in the clouds
that clear my mindThe nightmare
that we share
is a dream
in the darkness
not ready
to be seenwon’t regret
won’t white wash
sugar coat
or paint over
the pain I feel
everyday
the pain
the stirinside
behind my eyes
behind my lies
the intensity
that keeps me
from staying
in linestray with me
fall into the spaces
between
the cracks
and ruins
where what is right
is what feels righttread in trouble
with me
be buried
alive
in the art
of my arteriesI’m the dragon that guards
the haunted castle
because I know
how the light
bakes
and mistakes
the shapes
that lay
the mysterywarm
wet
not ready yet
wait with me
take me back
to where
I never knew
I could start again
to where
I don’t
have to beginNothing about
the darkness
goes against
my willTerror is
the way
they keep you stillI’m
mutating
and
you’re circulating
captivating
and cultivating
we’re waiting…happily ever after
means there is a place
where risk and danger
are endangered
where life becomes monotonythe complexity
and endlessness of the dark
unrests meI forever want to be
the monster
they make of me -
July 11th, 2010Blog, Partner Event
Premiere Stages at Kean University (Union, NJ) presents a dynamic mix of original plays. The professional theatre’s season includes a powerful new drama, an important new play in a co-production with Playwrights Theatre of New Jersey, and the development of a speedy new comedy. Family-friendly musical theatre productions and special initiatives for children and students make the season enjoyable for all audiences.
The Good Counselor is Kathryn Grant’s drama about a chosen son’s quest for truth. A bright, young public defender struggles to represent two neglectful mothers, one his client, the other his own. A thought-provoking and beautifully written new play, The Good Counselor literally prompts the audience to serve as the jury in determining what it means to be a good parent. This Premiere Stages Festival Winner, selected from over three hundred submissions, opens Thursday, July 15, in the Zella Fry Theatre and continues through Sunday, August 1.
Collaborating with Playwrights’ Theatre of New Jersey, Premiere Stages presents Tammy Ryan’s Lost Boy Found in Whole Foods (September 2 trough 19). In this timely new work, Gabriel, an optimistic former “lost boy” from Sudan meets Christine, a suburban mother in desperate need of attention and adventure. What begins as an unlikely friendship becomes an unbreakable bond that changes the pair and leads them to a better understanding of their place in the world.
“We workshopped the play in staged readings,” stated John Wooten, Premiere Stages’ Artistic Director. “The response was incredible. It was clear that this was not a story that should be told, it was one that had to be told.”
The campus community agrees. The Human Rights Institute at Kean University, the Darfur Rehabilitation Project, and the Kean Department of Theatre are collaborating with Premiere Stages to bring this important story to the stage. A special opening night pre-show reception for donors will be held on September 3rd in Kean University’s new Human Rights Institute and a champagne toast with the cast follows the performance.
“I am pleased to have these important partners working with us to bring the play to life. It’s an amazing story and another example of how the arts often bring important issues to the forefront.”
In a similar developmental process, Premiere Stages will advance Gino Dilorio’s The Jag. In this evolving new comedy, a father and son struggle to find missing parts as they reconstruct a car that was never meant to be finished. Through an intensive one-week process, interactive staged readings are presented to the public (June 25 through 27).
Premiere Stages’ Musical Fun Series features two of New Jersey’s finest Actors’ Equity Association theatre companies for young audiences. Running Rabbit Family Theatre presents Pinocchio and Pushcart Players offers Stone Soup and Other Stories and Cuentos Del Arbol .
Premiere Stages launches the brand new Premiere’s Holiday Workshop. A special holiday treat for the entire family, the Workshop features readings of three holiday-themed plays and includes hot cider and treats for everyone. Admission is free; patrons need only to bring a new, unwrapped toy for Toys for Tots.
All performances take place on the Kean University campus, located at 1000 Morris Avenue, Union, N.J. Premiere Stages offers affordable prices, air-conditioned facilities and free parking close to the theatres. Premiere Stages provides free or discounted tickets to patrons with disabilities. All Premiere Stages facilities are fully accessible spaces. Please call for a list of sign-interpreted, audio-described or open-captioned performances. Assistive listening devices and large print programs are available at all times. Publications are available with advanced notice in alternate formats.
Tickets for productions range from $15 to $25, with discounts for groups (Musical Fun tickets are $12 with discounts for groups). The Premiere Package (a new subscription series) saves patrons up to $30.00 and includes free admission to staged readings and other special events. For more information, call 908-737-4092 or visit www.kean.edu/premierestages .
Premiere Stages is made possible in part through funding from The New Jersey State Council on the Arts, The Geraldine R. Dodge Foundation, Kean’s Quality First Initiative, The Westfield Foundation, The Gleason Family Foundation, The Provident Bank Foundation, and through the generous support of individual patrons.
_______________________________________________
Schedule of Events:
The Jag
FREE staged readings in the Murphy Dunn Theatre (Vaughn Eames Fine Arts Building)
Friday, June 25, 7 p.m.
Saturday, June 26, 7 p.m.
Sunday, June 27, 3 p.m.The Good Counselor
Zella Fry Theatre (Vaughn Eames Fine Arts Building)
Thursday, July 15 – Sunday, August 1
Thursday - Saturday performances begin at 8 p.m.
Saturday and Sunday matinee performances begin at 3 p.m.Lost Boy Found in Whole Foods
Zella Fry Theatre (Vaughn Eames Fine Arts Building)
Friday, September 2 – Sunday, September 19
Fridays and Saturday performances begin at 8 p.m.
Saturday and Sunday matinee performances begin at 3 p.m.
“Pizza Preview” Performance on Thursday, September 2 at 8pm
VIP Opening Night Fundraiser and Performance on Friday, September 3 at 8pm
Special “Early Curtain” performances on Weds, September 8, at 10 a.m. and Thursday, September 16 at 5 p.m.Premiere’s Holiday Workshop
December 9 – 11, 2010 time(s) to be announcedMusical Fun Series
All Musical Fun performances will be presented in the Little Theatre, with ticket prices ranging from $10 to $12.
PINOCCHIO
Tuesday, July 13 at 11:00 am and 1:30 pm..
Wednesday, July 14 at 11:00 am and 1:30 pm..CUENTOS del ARBOL
Thursday, July 15 at 11:00 amSTONE SOUP…and other stories
Wednesday, July 21 at 11:00 am and 1:00 pmCUENTOS del ARBOL
Wednesday, July 28 at 11:00 amThis press release is also available online at:
http://www.kean.edu/about_press.htmlContact Information:
To order tickets, join our mailing list, and/or to request a season brochure, please call the Kean Stage Box Office at 908-737-SHOW (7469).
For groups, call Paul Whelihan at 908-737-4077.
For Camp and the Premiere Residency Program, please call Erica Nagel at 908-737-4092, or visit Premiere Stages online at www.kean.edu/premierestages.For specifics of the season, please contact Artistic Director John Wooten at jwooten@kean.edu or 908-737-4360.
Tags: Kean University, Premiere Stages, theatre -
July 8th, 2010Blog, Cristina Dominguez
Alone with myself
alone with thoughts of you,
dreams that we might pursue
the metaphor that is something moreDo you have plans in store for me?
Something locked away?
Will I, can I, find the key?
Or are you just as lost in this feeling
as I am, and finding me
only out of your desperate need
to not be the lone and forlorn refugeeSpontaneity craving
the all too unsurprising predictability
that I do not have the ability to willingly
conjure up, for your fearful gut that undermines
your revolutionary desires
the very thing that inspires
this all new, unconventional concoction
of love in meStagnant in your opposition to compromise
but positioned to compose around
something safe and sound
that I can’t beWhy can’t we both remain wild and free?
Liberty meets love, and lives in it liberally
instead of denying and dying
the part that defies a love that’s limiting.
Packed away are my overt attempts to
create and break free that love within me.
But will that love be too different
too strange to move your eyes to see
The love I know you have for me?It isn’t easy
It isn’t what you need to satisfy and pacify your fears
Ready to challenge me but you stay
securely still in your stubborn habit
of thirsting for securityI won’t be part of the assembly line of lovers
replacing the past
enslaving myself to your repetitive defense mechanisms
that mass produced flat and failed relationshipsThe dimensions we’ve mentioned
philosophically talking with the top down in your cool convertible
free and versatile
in thought, in mind, in spirit.
But though you can hear it
you can’t take to heart
the part that would free
your heartYou aren’t fearful of who would leave you
but frightened by what it would mean if someone would stay~
Would sway in the wind and the water that is you,
flowing in a stream to a stream of consciousness
as wide eyed and open as the ocean
Not hindered by the currents currently claiming
calming and inhibiting
the independent spirit
in an uninhabitable loveThat body of water
that body of love
a mirror reflecting–
how you won’t
how you refuse
to look
to see
the you, you love sufficiently
for you have efficiently
not let it be tied down
but do not love enough to embrace fully..
to let it be lifted up
to give up,
not surrendering
but rendering
it free.Let your expectations
Tags: love, poem, relationship
like their limitations
be obsolete.
You’re wading in a pool of your own possibility
I’m waiting for you to dive into
the depths of our opportunity.
There will be no death of you or me,
we can coexist in this discovery
you can feel it
now believe it
you can be free
in loving me -
July 2nd, 2010Blog, Morgan Boecher
by Morgan Boecher
Last weekend was my first time attending a Pride event of a New-York-City scale. My only other experience was when I was a teenager during the sleepy summer months in Gainesville, Florida. The festival that happened in our downtown plaza was an inspiring effort, with all the Roy G. Biv decorations and dildo raffles, but it never overwhelmed like NYC Pride does.
What overwhelmed me the most, more than the campy getups and the countless people streaming through 5th Avenue, was the comfort of finding queer folks around every corner. It made me feel a little more at home, at least. As a transsexual man with an undeniably feminine physique, I have trouble fitting within the everyday cissexual (non-trans) world. When I go butch, I look lesbian, which gets it all wrong.
However, NYC Pride weekend, subsuming all in delightful queerness, made my gender identity matter a little less. At least when I was walking around the streets being one in the crowd. At other times it mattered more.
Preceding the Sunday parade was the Dyke March, a politically charged protest demanding equal rights, the end of LBTQ violence, and visibility. Considering how cis-male-centric mainstream images of LGBTQ culture are, the Dyke March is a wonderful way for queer women to claim their space. Being someone who does not in any way identify as a dyke, I respectfully stood aside. Giving oppressed groups a chance to their own space is powerful and important. I did get to chat with a friend of mine who participated in the march, though.
Our talk of gendered space led us to ruminate over the displacement of trans people. Cissexual people are often confused about where trans men and women ought and ought not be. The Michigan Womyn’s Music Festival
is a good example, with their reluctance to allow trans womyn access to the “womyn-born-womyn” space. Anyway, while discussing the gendered barriers of the Dyke March, my friend told me that she met someone there who expressed skepticism about trans men.“I just don’t understand trans men because I enjoy being a woman so much,” she said.
*Sigh.* Just the same sentiment I met when I came out to some proudly womyn-born-womyn friends of mine. Despite the beautiful mélange of gender and sexual diversity crowding the streets of NYC, trans experiences are still going misunderstood. It’s not that trans men devalue womanhood; it’s just that they don’t identify with it.
The Dyke March is an empowering step toward recognizing a greater range of human experience, but some trans visibility could stretch that recognition even further.
-
June 30th, 2010Blog, Events, Partner Event
July 9, 2010 7:30 pm 
The Bowery Poetry Club
Friday, July 9, 2010 @ 7:30PMfeaturing
Tara Betts, Timothy Liu, Angelo Nikolopoulos, Jeffrey Perkins
Devi Lockwood, Jon Sands & Jesús Papoleto Meléndez
with special guest David HendersonWe are pleased to announce the publication of phati’tude
Literary Magazine’s relaunch issue, MULTICULTURALISM: IN SEARCH
OF A NEW PERSPECTIVE and our Summer issue, THE LAVENDER ISSUE:
LGBT LITERATURE TODAY. Both publications will be available for
sale on our website on July 15, 2010 on Amazon.com. Each issue
features writers from the U.S., Canada, England, Scotland,
Australia, New Zealand, Guam, the Philippines, Japan.Come join us! It’ll be great to see old friends and meet new
ones!For more information visit us at http://phatitude.org
Recent Posts
- Right Before Frostbite - a poem by Cristina Dominguez
- Hey, you. Can I get a smile?: Leah King One-Woman Show
- Women’s Nights at Brooklyn Boulders Rock Gym
- White Lillies - a poem by Cristina Dominguez
- VISIONING WORKSHOP: Using Your Creativity and Intuition to Gain Clarity
- Sideshow: The Queer Literary Carnival
- For the Birds Collevtive’s BIG SHE-BANG is this Saturday, August 14th!
- The Women’s Health Empowerment TeleSummit: A Free Health-Augmenting Virtual Event
Paradigm Gallery
